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  • OPL 3.0

    discoDSP OPL emulates the Yamaha OPL2 (1985), the FM chip behind AdLib and Sound Blaster game soundtracks of the late 80s and early 90s. Two-operator FM with eight waveforms per operator, OPL2 percussion mode, and partial OPL3 features. 16x oversampling, 2000+ presets, SBI import.

    Aluode - Its Maario
    Aro - Entwined In The Horizons Descent
    Asi4 - Detroit Days
    Baalisoda - Love Lies
    Bh9090 - Talus Fissure
    Cndmn - Snowless Winter
    Darksynth Fx - As Years Go By
    Demo 1
    Doctorbob - Blue Juice
    Generaldiomedes - Gin And Juce
    Grooveshack - Lazy Fat Dirty Bastard
    H-man - Man - Dial 15913 - Housemix
    J Ruegg And Zarf - Aqua Regia
    Jasinski - V6 Pursuit
    Liqih - Later Piano
    Marks-a-whybikky And Buck Meow - Osc110
    Mjr5house - Star Field Siren Song
    Mmghost - Chroma
    Ontrackp - Cut It Loose
    Peterh - Lies Are Poison Of High Purity
    Progtronic - Grim Volt
    Schiing - Superfluid
    Stohgs - Kvr-osc-110-juceopl
    Taron - Fool
    Theneverscene - Pencil Tool Blues
    Too86 - Noobs Techno
    Trojakew - Shady Deal
    Tyrian - Space Journey 1 Remixed By Block35
    Zerofox97 - Juce Spill

    OPL Playlist

    Tyrian Remix

    Demo 1

    Overview

    Emulates the OPL2 in full, with the OPL3 waveform set and a subset of its other features. Imports SBI presets (Creative Labs' instrument format for Sound Blaster cards) by drag-and-drop into the plugin.

    Each channel is two operators (carrier + modulator) using phase modulation (FM-equivalent). Eight per-operator waveforms: sine, half sine, absolute sine, quarter sine, alternating sine, camel sine, square, logarithmic sawtooth. ADSR per operator. The waveform set is what makes OPL sound like OPL, since sine alone won't get you there.

    Percussion mode adds bass drum, snare, tom, cymbal, and hi-hat, each tied to specific operator slots and waveforms.

    The emulation runs on a rewritten engine with quality work of our own. The chip itself is oversampled up to 16x, which cuts the aliasing that FM synthesis produces at high modulation settings, while pitch, envelope timing and key scaling are corrected so patches sound the same at every setting. Offline bounces switch to a linear-phase filter with reported latency, so a render matches what you monitored.

    Supported Formats

    Universal Binary 2: Native Intel and Apple Silicon.
    Standalone Application: No additional software required.
    ProTools AAX. Apple Audio Unit. Steinberg VST. Steinberg VST3.

    Native Apple Silicon Universal 2 Binary Standalone Application 64-bit ProTools AAX Apple Audio Unit Steinberg VST Steinberg VST3

    System Requirements

    Windows 10+. IntelIntel processors with AVX2 support:
    Core i3/i5/i7/i9: Haswell (2013) and newer
    Xeon: Haswell-E (2014) and newer
    or AMDAMD processors with AVX2 support:
    Ryzen: All models (2017+)
    FX: Excavator-based (2015+)
    EPYC: All models (2017+)
    Athlon: 3000G series and newer
    . 8 GB RAM.
    10.14+. Apple Silicon or IntelMacBook Pro: Late 2013+
    MacBook Air: Mid-2013+
    iMac: Late 2013+
    Mac mini: Late 2014+
    iMac Pro: 2017+
    Mac Pro: 2019+
    . 8 GB RAM.
    Debian 10+. IntelIntel processors with AVX2 support:
    Core i3/i5/i7/i9: Haswell (2013) and newer
    Xeon: Haswell-E (2014) and newer
    or AMDAMD processors with AVX2 support:
    Ryzen: All models (2017+)
    FX: Excavator-based (2015+)
    EPYC: All models (2017+)
    Athlon: 3000G series and newer
    . 8 GB RAM.
    iOS 14 or later.

    A one-time internet connection is required to activate the software license. After this, users can use the software offline.

    The demo version restricts audio output during offline rendering.

    Credit and Licensing

    FM synthesis is powered by ymfm, the Yamaha sound chip emulation library by Aaron Giles, used under the BSD 3-Clause License. Yamaha, YM3812 and YMF262 are trademarks of Yamaha Corporation, used here only to describe the hardware this product emulates.

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